Literature in the Lives of Inmates

By Charlotte Gullick

Creative Writing Assistant Professor

“What I’ve learned from studying women in literature is that everyone has a different metaphor for life,” says a tall woman in her early 20s. A few seats away, a woman wearing the same outfit – black and gray state-issued pants and shirt, black Crocs on her feet – says, “I really liked studying Romeo and Juliet. I learned a lot about women and love.” The other 12 women in the room nod or murmur, many continuing to chew on their bologna sandwiches.

Jodi Jinks and Charlotte Gullick

I’m standing in one of the classrooms at the Travis County Correctional Complex (TCCC). I come here once a month to offer a lecture and discussion based on readings of literature and plays.

My work is supported in part by Humanities Texas, the state affiliate of the National Endowment for the Arts, and is called “Strength Through Study: Powerful Women.” It is a new component of a TCCC program, PRIDE (People Respecting the Inherent Dignity of Everyone).

When I began researching the program last October, TCCC Counselor Jennifer Scott shared with me that most of the women passing through the jail don’t have positive role models; when asked about a female role model, most named Oprah.

The aim of the Strength through Study grant program is to expose female inmates to women in literature and plays – either authors or the central characters of the literary work. An advisory board developed the program content in consultation with the head program instructor, ACC Drama Adjunct Professor Jodi Jinks.

Jinks’ extensive professional background with incarcerated individuals, combined with her theater expertise, makes her an ideal instructor. She works with the women twice a week for an hour and a half; over the course of about seven months, she leads the female inmates through substantive and eye-opening discussions of Romeo and Juliet, Gaslight, Roosters, Our Country’s Good, A Raisin in the Sun, Crimes of the Heart, The Wake of Jamey Foster, and August: Osage Country.

The women have the opportunity to explore the literature by reading the works aloud, watching a film adaptation, and discussing the roles of women in our society. In these sessions, Jodi creates a space for the inmates to be more than the charges against them; instead, they are thinkers, readers, writers, and students.

The grant program is based on a national model, one where academics connect with inmates through literary study. The most famous model, based out of Michigan, is called “Changing Lives through Literature.” It gives judges, probation officers, and inmates an opportunity to read and explore literature together.

Today at TCCC, we discuss the character of Angela in the play Roosters. She is desperate for the attention of her father, newly released from prison.

“Angela is, you know, innocent,” one woman suggests.

I ask, “What else can you tell me about her?”

“She’s one of those people who sacrifice for others,” says another.

“A martyr?” I offer.

She nods.

This exchange prompts a discussion of the meaning of the word martyr, how some people use their sacrifices to create guilt in those around them. We continue our discussion by further exploring Angela’s role in the family and the impact of machismo on women.

I offer the inmates a different perspective on literature – often drawing from my own experiences with the transformative power of art, which can create a path for healing and allow an individual to change the trajectory of her life.

My time in the jail is intense, powerful; I get as much from the women as I might possibly give. As a writer and a scholar, I lead discussions that connect themes in the literary works to possible themes in the women’s lives.

For example, after they read and discuss Romeo and Juliet, we talk about societal messages about the mythic requirements of a relationship. We then explore how society asks women to sacrifice.

I often ask them to write to themselves, as one of the characters, as a female ancestor sending a message through time, or as the mother they wish they had. The writings and follow-up discussion often lead to moments of vulnerability and insight.

Through these experiences, the women might begin to create a foundation for a path built on different choices, ones that allow them to value themselves, their children, and their communities. By exploring the challenges and strengths of literary characters, perhaps we can empower these women to become strong, positive forces in their own lives.

Charlotte Gullick is chair of the Creative Writing Department and is the author of the novel, By Way of Water, published in 2002. She is the first in her family to graduate from college and attended a community college for three years before she received her bachelor’s degree and master’s degree.

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