{"id":5673,"date":"2019-11-21T00:36:22","date_gmt":"2019-11-20T17:36:22","guid":{"rendered":"https:\/\/sites.austincc.edu\/accent\/?p=5673"},"modified":"2020-11-06T03:42:46","modified_gmt":"2020-11-05T20:42:46","slug":"austin-film-festival-a-patient-man-review","status":"publish","type":"post","link":"https:\/\/sites.austincc.edu\/accent\/austin-film-festival-a-patient-man-review\/","title":{"rendered":"Austin Film Festival: A Patient Man Review"},"content":{"rendered":"<h3><em><strong>Independent film reflects on the condition of the human mind in drama thriller.<\/strong><\/em><\/h3>\n<p><strong>To read ACCENT\u2019s interview with the filmmakers, <a href=\"https:\/\/sites.austincc.edu\/accent\/?p=5676&amp;preview=true\">click here.<\/a><\/strong><\/p>\n<p><strong>Review by: Nalani Nuylan\u00a0<\/strong><\/p>\n<p><span style=\"font-weight: 400\">How do we know the people we choose to befriend? By proxy, how well does the audience know the character(s) they are following?\u00a0\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">\u201c<\/span><a href=\"https:\/\/www.apatientman.com\/\"><span style=\"font-weight: 400\">A Patient Man<\/span><\/a><i><span style=\"font-weight: 400\">\u201d <\/span><\/i><span style=\"font-weight: 400\">is the film debut of writer\/director Kevin Ward. Screened at the 2019 Austin Film Festival, this hidden gem introduces Tom (Jonathan Mangum), a man who is trying to piece his life back together after a great tragedy. On his road to recovery, he befriends a man named Aaron (<\/span><span style=\"font-weight: 400\">Tate Ellington)<\/span><span style=\"font-weight: 400\"> who rides the same train with him. All the while answering these pivotal questions in the process.\u00a0\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">Told in a nonlinear plot structure, the film takes the audience on a trip to solve the mystery of what happened to our protagonist while revealing truths on how grief, guilt and revenge affect the human psyche.<\/span><\/p>\n<p><span style=\"font-weight: 400\">The best way I can describe this trip is in the metaphor of a massive puzzle with a box that has no big picture finish. You will notice some key puzzle pieces and involuntary want to join the game. After seeing how some of the pieces of the film fit together, you will eventually begin to assume how the story will unfold in the end. Yet, as the audience puts that last piece of the film together the big picture may actually surprise you.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">That\u2019s how this film was for me. I was already picking it apart for the sake of reviewing it. But once I saw a clue, I wanted to find more. Sure, I saw what was coming. But at the same time, I also didn\u2019t see it in when it came to the grand view.<\/span><\/p>\n<p><span style=\"font-weight: 400\">Ward does an amazing job of hiding the clues to the mystery while showing a very real depiction of how a person can descend into revenge because of their grief. As the old joke goes, the descent into madness is not a rapid downward spiral, but a slow progression of moments.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">Mangum, who is mostly known for his work in comedy, shines playing Tom as we see his fake smiles at his work progress into the subtle flickers of dark intentions. I have to give credibility to Mangum\u2019s performs as an actor.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">The praises continue to Producer and Cinematographer Harrison Reynolds, who used the close-up shots and the Los Angeles sunlight to completely flip the thriller tropes on its head. Rather than installing the suspicion, the clever use of Reynold\u2019s surroundings in combination with his camera work when characters are in a conversation to instill this sense of security to only make the ending more enjoyable.\u00a0\u00a0\u00a0\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">For his film debut, Ward did a wonderful job of cinematic storytelling. Nicely paced and ever so juicy, one can\u2019t help but marvel at the film being made on a minuscule budget and mostly shot on a moving train.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">This film will leave you with questions and an odd sense of satisfaction. It was an enjoyable ride, and I urge you to join along.\u00a0<\/span><\/p>\n<p><em>Update on February 24:<\/em><br \/>\n&#8220;A Patient Man&#8221; is available to rent or buy on\u00a0 <a href=\"https:\/\/play.google.com\/store\/movies\/details\/A_Patient_Man?id=lr-qtQv783A.P\">Google Play Store<\/a>, <a href=\"https:\/\/itunes.apple.com\/us\/movie\/a-patient-man\/id1490223833?fbclid=IwAR2xmguwhulO4FScGZf2pJtMIpwJvcnSf8BYhNvfkiIK2vB0rtJ-kWS7l44\">iTunes<\/a>, and <a href=\"https:\/\/www.amazon.com\/gp\/video\/detail\/B081T58CHL\/ref=share_ios_movie\">Amazon Prime Video<\/a>. If you are curious about this film in any way, I urge you to watch it for yourselves on these platforms.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Independent film reflects on the condition of the human mind in drama thriller. To read ACCENT\u2019s interview with the filmmakers, click here. Review by: Nalani Nuylan\u00a0 How do we know the people we choose to befriend? By proxy, how well does the audience know the character(s) they are following?\u00a0\u00a0 \u201cA Patient Man\u201d is the film [&hellip;]<\/p>\n","protected":false},"author":4198,"featured_media":5675,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[761,20],"tags":[968,252],"class_list":["post-5673","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-film","category-reviews","tag-austin-film-fest","tag-film-review"],"_links":{"self":[{"href":"https:\/\/sites.austincc.edu\/accent\/wp-json\/wp\/v2\/posts\/5673","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.austincc.edu\/accent\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sites.austincc.edu\/accent\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sites.austincc.edu\/accent\/wp-json\/wp\/v2\/users\/4198"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.austincc.edu\/accent\/wp-json\/wp\/v2\/comments?post=5673"}],"version-history":[{"count":0,"href":"https:\/\/sites.austincc.edu\/accent\/wp-json\/wp\/v2\/posts\/5673\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sites.austincc.edu\/accent\/wp-json\/wp\/v2\/media\/5675"}],"wp:attachment":[{"href":"https:\/\/sites.austincc.edu\/accent\/wp-json\/wp\/v2\/media?parent=5673"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sites.austincc.edu\/accent\/wp-json\/wp\/v2\/categories?post=5673"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sites.austincc.edu\/accent\/wp-json\/wp\/v2\/tags?post=5673"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}