Show Review: Parkway Drive, August Burns Red, The Devil Wears Prada & Polaris at House of Blues Houston

[vc_row][vc_column][vc_column_text]Written & photos by Taylor Kokas

It’s been nearly two years since Parkway Drive last visited Texas. Now on their latest touring cycle promoting their 6th studio album Reverence, the Australian natives have made their way back to House of Blues Houston. This time they brought along August Burns Red, The Devil Wears Prada and fellow Australian band Polaris. I sympathize with anyone who wasn’t able to make it to the show. Having been a fan myself for the past 6 years I’ve missed every opportunity to witness a Parkway Drive performance until now. This was definitely the chance of a lifetime.

Polaris kicked off the evening, playing songs off their latest record The Mortal Coil. Songs like “Relapse” and “The Remedy’’ were perfect for the crowd to warm up to and to be ready for the madness that would continue to build throughout the night.

Next up was The Devil Wears Prada whose set consisted of songs off the latest album Transit Blues and 2009’s hit record With Roots Above and Branches Below. TDWP also sprinkled in some other songs like “Escape” from 2010’s Zombie EP, “Born to Lose” 2011’s Dead Throne, and “Planet A” from their Space EP. Finally concluding their set as they always have with “Danger: Wildman”.

When August Burns Red took the stage the venue erupted. The floor literally shook to the rhythm of the crowd bouncing up and down when they started off their set with “King of Sorrow”, “Martyr”, and “Invisible Enemy”. Lead guitarist JB Brubaker flawlessly shredded away at his Ibanez guitar in sandals, as he always does. The remainder of the set consisted of songs ranging across their catalog, from “Composure” off of 2007’s Messengers all the way to 2017’s Phantom Anthem.  After their set concluded, drummer Matt Greiner hopped off the kit to greet fans at the front row.

Finally for the highly anticipated set of the night, Parkway Drive. As haze and darkness fell upon the room, the crowd cheered, and the spoken word intro of “Wishing Wells” set the tone. *BOOM* “Until I’m done!”, all hell broke loose from there, and it was only just the beginning, continuing to warm up the crowd with tracks like “Prey” and “Carrion”; an old favorite. The band went on playing a variety of new and old tracks, ranging from their latest records Reverence and Ire all the way to their, now, 11-year-old sophomore . Along with nods to Deep Blue and Atlas. It’s really tough for me to pick favorites with this band because every song is so massive and full of energy. If I had to pick I’d have to say “Dedicated, “Boneyards”, and their encore “Bottom Feeder” all three of which I think just express invincibility. I witnessed many fans that night throw down in the pit, letting the music take them, and so many came running to the back of the venue to catch a breather for the remainder of a song, then got upset when their next favorite came on because they wanted to spend whatever energy they had left on it. When the night concluded, I walked out of the venue with my hearing muted, limping down the stairs to make my way to the food trucks outside the venue. Many others from the show sat in silence eating with friends, probably reflecting on the insane night that was just experienced.

The Devil Wears Prada will be on their 10-year anniversary tour, playing With Roots Above and Branches Below in its entirety, and is set to be back in Texas in early December. [/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_gallery interval=”3″ images=”4869,4868,4867,4866,4863,4862,4861,4860,4871,4872,4873,4864,4865″ img_size=”large”][/vc_column][/vc_row]

Transtastic

Written and Edited by Halie Davis
Filmed by Taylor Kokas

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Blue, pink and white flags were printed on posters that hung up around various campuses this past spring. These colors sandwiched together, horizontally are the Transgender flag. Text on the posters promoted the premiere of a student-made documentary, Transtastic, supported by an LGBTQ resource fair.

Transtastic is the creation of ACC student, Margo De Alva. As a transgender person, she felt the urge to create something that further explains transgender than the textbook definition.

“Coming into the school semester, I was asked several times ‘why do you dress like this?’ ‘Why do you act like this?’” says De Alva. “I just wanted ACC to have a better understanding and I wanted to reach out to people who were in my situation, or are in my situation.”

After graduating from high school, De Alva attempted attending college. But, the timing was off.

“I was very, very sad for several years because I was scared to tell everybody. I didn’t even know what Transgender was. I knew I wanted to be a woman, but I didn’t know the term…I had to venture off to YouTube to even know what transgender meant.”

In recent years, the public has seen more videos, articles and events, regarding transgender people. In 2014, Laverne Cox is the first transgender person on the cover of Time Magazine. Making her public debut at the 2015 ESPYs, Caitlyn Jenner spoke for transgender children and people. That same year and the following, Jeffrey Tambor brought home an Emmy for Leading Actor in Comedy Series, Transparent. In 2016, NPR reported that 1.4 million adults identify as transgender, according to a study done by the Williams Institute at the UCLA School of Law. The highest number of reported deaths among Transgender people, occurred in 2017.
This year Cox poses for the cover of Cosmopolitan
Magazine
, Scarlett Johansson apologizes and announces her withdraw from the transgender project, Rub
&
Tug
, and Wisconsin is covering two of its residents’ gender confirmation surgeries.

Transgender may be a term that is confusing for the general public to understand, let alone an individual. This past summer, the World Health Organization (WHO) announced that in 2019 being transgender will no longer be considered a mental illness. Often, a fake identity is created by a transgender person to try and fit into society’s standards of male and female roles.

“Dorothy [Alexander] is one of the friends who helped start everything,” De Alva says. “She met me when I was, I guess a boy. She met me and could tell something was up because of the way I acted and stuff. Like she said in [Transtastic], I would joke around about getting my nails done and she’d be like, ‘if you want to get your nails done, I’ll go with you, it’s not a big deal.’ There were times I’d try to act masculine and she’d look at me and and be like, ‘I don’t really feel like this suits you.’ She was just reminding me that ‘I think you’re a different person,’ so when I finally told her, she was like ‘I knew it all along.’”

Some of De Alva’s friends and family were accepting, but not eveyone. At 12-years-old she knew she wanted to be considered a female, but was still unsure about the ways to express herself. “I had no choice but to put on this persona of what I felt like a man or teenage boy was supposed to be, because it was very rough. I was getting picked on in school from the other boys and I remember them telling me ‘you’re such a girl, man up.’”

In her early adolescence, De Alva was living with her dad in the Rundberg area of Austin. This neighborhood is known as a rougher one to many Austinites.

From 2012-2016 Restore Rundberg was a grant received to revitalize the area. Since the funding closed, the Austin Police Department has continued extension programs throughout the area, like Summer in Rundberg to keep the neighborhood children safe when not in school. Restore Rundberg decreased property crime in the area and the city itself.

Crime rates are higher in lower income areas than high-income households, according to the Bureau of Justice Statistics. Some neighborhoods in Austin with a median household income ranging from $7,000 to $38,000 are St. Johns (Rundberg area), North Lamar and East Riverside. Neighborhoods in Austin with a median household income range of $130,000 to $217,000 are Bee Cliffs, Bella Mar and Avery Ranch.

Like many cities, the public education provided to its residents depends on their neighborhood. According to the U.S. News & World Report’s list of Best High Schools in America, Westlake (EISD) ranked 213. Westwood (RRISD) followed up at 221 with a graduation rate of 99 and college readiness score of 72. Vandegrift (LIST) land at 339 while the top ranking AISD school is Anderson at 1,038. Schools like Lanier, Reagan and Eastside Memorial did not place in the national or state rankings. Students at the non-ranking schools live in neighborhoods like East Riverside, North Lamar and St. Johns.

“LGBTQ people are not just on the North side or by Highland.”

DeAlva attended Wooldridge Elementary School, which filters into Lanier High School. These are some of the schools associated with the Rundberg area.
“Rundberg, from my experience, wasn’t necessarily the best place to live at,” De Alva says. “The boys needed to have this role of being tough. In middle school, they were running around, talking about sports…In 2006, I remember being in middle school and LGBT was picked on. Nobody said it was ok.”

De Alva lived with a boy persona until 2015, when she became a junior in high school. At this time, De Alva has moved to the Lakeline area with her grandma. At Westwood High School she was noticing LGBT was more accepted than her previous schools. She was making friends who were openly gay or lesbian. “Their friends weren’t mean about it and they still liked them.”
De Alva was noticing a different world, where people were more accepting and open about being gay. Moreover, she did not feel the urge to live in her previous identity; the one that would mock or ignore people from the LGBT community. “If I had met [an LGBT person] when I was in Rundberg, I would have no choice but to pick on them if I had friends around…my grandma lived in this place where I could listen to how [an LGBT person] felt.”

After taking a break from school, Margo De Alva discovered acceptance in the LGBT community, friends and family. Although hesitant to begin college, Margo found a home in Student Life.

Northridge’s Student Life Coordinator, Tim Prata, assisted Margo with the creation of Transtastic. After listening to her thoughts and hopes, Prata introduced De Alva to ACC’s LGBT eQ Committee and Student Life’s YouTube series, Life4U. From there, the group took De Alva’s documentary idea and created Transtastic. Last March, Transtastic premiered after its resource fair concluded. A Q&A session was held after the documentary premiere with Margo De Alva and others featured in the Transtastic.
“My friends are accepting, so I’ve reached out to several and they have my back with things like ‘hey, I feel uncomfortable going to the bathroom, would you go with me?’ and they will.”

In the 2019 legislative session, many Texans are hoping to continue the discussion about the Bathroom Bill. This bill, defines access to public restrooms by transgender people. In 2015 the Austin City Council passed an ordinance stating that all businesses with a single-use restroom must provide gender-neutral bathrooms. Every ACC campus, with the exception of Riverside, has a family bathroom for its transgender students, faculty and staff. However, having only one single-use bathroom on a  campus can be difficult for transgender people – especially if it’s in use.

“LGBTQ people are not just on the north side or by the Highland campus  – we’re everywhere,” says De Alva. “There should just be more family bathrooms in general. I can’t tell you how many times I’ve had to hold going to the bathroom because [some business] doesn’t have it.”

Although De Alva’s goal is to live a life as Margo, she chooses not to use the women’s bathroom, even if it’s the only option. “I don’t want to go into the women’s bathroom because I don’t want to alarm females. I’m totally understanding that it can alarm everybody, so I just try to stick to the family bathrooms”

Austin businesses like Alamo Drafthouse at Mueller, Hillside Farmacy and Cheer Up Charlies offer gender-neutral bathrooms. These areas have closed-off stalls for private business and sinks to wash. CEO of Alamo Drafthouse, Tim League, says there are “no complaints at all” in an article from the Austin American Statesman.
De Alva is knowledgeable about which businesses have a restroom for her to use due to personal experience. Fortunately, her support system is able to accompany her to the restroom, if needed. “I’ve had my grandpa tell me ‘if you have to go, I’ll go in there with you and make sure no one says anything…As sweet as that is, it’s humiliating to have to go with my grandfather.”

De Alva says she doesn’t expect sweet gestures, but is thankful for the support. After revealing herself as a transgender person, she’s lost relationships  but stays positive. “You’re going to have people that don’t like you no matter what, so you might as well be who you are.”

Margo De Alva plans to transform Transtastic into an event at ACC. She also hopes to open a safe area for the LGBT community to talk and relate with one another. “You know I still have not met someone who is transgender at the school, that I can reach out to. At the event, I started to see more people and they were talking to me and it was great to know that I’m not alone.”

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Show Review: The Story So Far, Turnstile, & Drug Church Throw Down at The Mohawk

[vc_row][vc_column][vc_column_text]Written and photos by Taylor Kokas

Despite this year’s sudden cancellation of Sound On Sound Fest, many artists were able to be rescheduled at various venues around town to perform for the live music capitol audience. The festival continued on in spirit, early that Saturday afternoon. Fans lined up on both corners of The Mohawk, awaiting performances from their favorite punk bands: Drug Church, Turnstile, and headliner The Story So Far.

Thirty minutes after the doors opened, Drug Church warmed up the crowd playing songs like “Banco Popular,” “But does it work?”and their newest single “Weed Pin”. After finishing up their short, 30 minute set, the crowd continued to grow. As casual fans played it safe and settled along the railing of the upper levels of the venue, dedicated fans and avid moshers made their way down to the front of the stage. For a good 45 minutes, Turnstile performed songs like “Drop” and “Fazed Out” inciting the crowd to throw down in the pit. Crowd surfers made their way to the stage hoping to be handed the mic from lead vocalist Brendan Yates (who occasionally tossed the mic out while he dancing around on stage). After their set, fans dispersed to grab a drink, buy some merch, or re-situate themselves for the final act.

The Story So Far Knife

The Story So Far kicked off their set playing two of their most popular songs, “Things I can’t change” and “Nerve” while also performing their newest single “Out of it.” It was a wild set, as some fans surfed their way up to the front, attempting to get a hug from lead vocalist Parker Cannon. At one point during a break between songs, Cannon was handed a switchblade, causing some shock amongst the band. Parker put it away safely in front of the drum kit and continued on with the show. Throughout the remainder of the night, fans jammed out to a setlist of the band’s greatest hits from their past three albums while also squeezing in a couple covers from Led Zeppelin and Jimi Hendrix. Fans left with a fun, memorable performance to reflect on as they exited the venue to go home and recover from their ringing eardrums.  

Pick this review up in the Spring 2018 Life4U magazine on campus.

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Film Review: The Florida Project

[vc_row][vc_column][vc_column_text]Written by Taylor Kokas

The Florida Project, named after an early title of “Disney World,” follows six-year-old Moonee (Brooklynn Prince) living week-to-week in a bubble gum colored motel called “The Magic Castle,” being raised by her young, rebellious mother Halley (Bria Vinaite). When Moonee isn’t out on the streets with her mother – selling perfume, trespassing or stealing to make rent – she goes on adventures with her motel friends Scooty and Jancey. Making the best out of their summer, the group collects ice cream money from strangers and annoys the motel’s manager Bobby (Willem Dafoe).

Moonee shows us how to make the best of what you have. However, at any moment, the reality that she experiences could be taken away from her if rent isn’t paid or Bobby doesn’t act as her protector. In the end, Moonee’s reality is threatened when child services shows up. In this scene, she runs away to tell her friend Jancey bye, the visual transition from 35mm film to iPhone footage can be extremely frustrating and jarring to the audience. This rough transition however is a visual display, mirroring the experiences of Moonee’s life. Overall the film does a good job of exposing the viewer to this overlooked world in our society and the people that experience it while taking the viewer on a ride that will be, both, heartbreaking and heartwarming.

The Florida Project, was released by A24 Films on October 13th with a limited theatrical run and home video to follow.

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